WFMU is a Jersey City, New Jersey based radio station that
is a rarity in this day and age, it’s on the radio and actually worth listening
to- a station that is both independent and free form. Originally part of an
academic institution, it went rouge when the college closed around it and morphed into a non-profit, listener-supported example of how to do things right.
As is the case with all non-corporate, fully independent
companies, it keeps just a few salaried employees with volunteers to flesh out
the humanity needed to run a business of its size. Also, like all other
similar companies, they need to conduct PBS-like pledge drives to force the
funds for it’s annual budget out of the pockets of the very people who feel WFMU's existence is a necessity- the listener. After over 20 years of doing just
that, WFMU has it down to a science. As opposed to slowly doling out the pain
and continuously and consistently asking for money throughout the year, ‘FMU
has reduced this guilt making pleading to just a two week window in late winter
for it’s annual fundraising marathon. Sure, they have other revenue producing events throughout
the year like the Manhattan based record fair and a silent fundraiser that
keeps it exactly that- quiet and off the air- but this annual marathon is exactly what
keeps them on the air. Without a successful marathon, there would cease to be a
WFMU.
When the mighty ‘FMU finds itself on its knees begging for
its existence, Jersey locals and Hoboken legends- Yo La Tengo- seem to always be around to lend them a hand. For a good long while now,
YLT have given their time and encyclopedic knowledge of music over to WFMU’s
airwaves for a one night only, unique performance. A full setlist of nearly
on-the-spot listener requested covers sent into the station by
any means necessary and for any price as long as it’s at least $100. Essentially, WFMU is given the power to transform Yo La Tengo for one night into a jukebox that only takes $100 bills or higher.
This arrangement has become an expected and highly
anticipated tradition of the marathon, so much so that listeners know that
their minimum $100 pledge/song request doesn’t come with any guarantees it will
get on the air. Having been in the room this year, I can confirm that having
your song played is definitely like winning the lottery. (Well, maybe the odds
are more in the ballpark of winning $50 off a scratch off and not the whole
millions fantasy thing.) This year, it all went down on a Wednesday night
instead of the usual TGIF night spot, to accommodate YLT’s jaunt through
Australia starting later that week. As last year's version of this night was a “live from Germany” over the phone situation, 2014 was a glorious return to the ‘FMU studios for YLT. From the tight quarters of the studio made even tighter with the overflowing
mass of humanity vying for a view of the band, it appeared the ‘FMU staff
missed having them in the studio last year too.
Joined for this performance by band-friend Bruce Bennett who
supplied more guitar, vocals and musical brain power to the core trio of
bassist/vocalist James McNew, drummer/vocalist Georgia Hubley and Ira Kaplan
mastermind/vocalist, they had set up in a corner of the studio near a window
looking over a snowy parking lot. They huddled together going over a multitude
of white paper slips with song titles written on them by volunteers manning the phones.
The night consisted of mini-sets of four to five songs each with more of those
white papers being handed to the band after each one. As the DJs that night
continued their plea for more pledges to roll in between mini-sets, the sounds
of the band trying to remember the right chords, melodies and bass lines for
the next batch of songs become the distant soundtrack to the pleading for more
cash.
It was a rare treat to be in a small room as a professional
band scrambled to identify, remember and assemble a song or even memory of a
song in their heads. While there were many examples of this throughout the
night, some of the more memorable were watching Georgia take vocal cues from
Ira and James while trying her best to put together the lyrics to “Thirteen” by
Big Star, watching James teach Ira the chords to Poison’s “Talk Dirty To Me”
and the effort to make Paul McCartney’s “Live and Let Die” anywhere near what
it should be without a string section. Also a highlight in itself was Georgia’s
ability to get out from behind her drums after a mini-set, discuss the upcoming
songs and be good to go live on the air without even once taking a practice
beat on her actual set. Simply put, just the gained insight into their band
dynamics was worth the trip to New Jersey alone. While not surprising at all,
it was interesting to see each member take the lead an equal amount of times
during the many band discussions with no friction or bullshit between them
during a somewhat stressful time- mostly smiles, laughs and good vibes all
around.
Honestly, how could anyone in that room or through the radio
not feel the same positive atmosphere? A sense of community was being built
right through the airwaves combining the efforts of Yo La Tengo, WFMU and the
listeners themselves. WFMU’s best and brightest’s requests were being filtered
through YLT’s mind to create a varied, fun and eclectic setlist. Roughly 30
songs were played in total followed by a 10 minute medley referencing multiple
song requests that might have been gotten to had the band been able to play on
throughout the night until the morning sun. Highlights of the night included stellar
takes on “David Watts” by The Kinks, Velvet Underground’s “What Goes On”, Pere
Ubu’s “Heart Of Darkness”, The dB’s “Black & White” and a Crazy Horse-like
extended jam on Neil Young’s “Hey Hey My My”.
A completely unique experience thanks to WFMU- an
institution that many of your favorite bands and best friends probably endorse
wholeheartedly already. (If not, maybe it’s time to reassess your friends and
favorite bands.) The best part is you still have time to make a difference and donate.
The website WFMU.org lays it all out for you and makes it really easy to pledge
your allegiance. The WFMU marathon continues through Sunday, 3/9, so be sure to
listen via the dial (91.1 in NJ/NY) or stream it online at WFMU.org.
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